Sally and company are happy-go-lucky hippies who view the American frontier as a playground where they’re free to frolic (and pick up hitchhikers), and for their foolish arrogance, they’re roundly and viciously punished. Moreover, it oozes contempt for its protagonists–and in particular, for Franklin, an insufferable raspberry-spitting paraplegic whiner–such that it doubles as a stinging rebuke of the flower-power era. Eschewing any semblance of convention, and generating squeamish dread without the use of explicit gore, Hooper’s film is a scuzzy slab of rotten meat in cinematic form. In every respect, The Texas Chainsaw Massacreradiates evil: its aesthetics, marked by low, upwards-gazing compositions and sharp, swirling cutting, are at once frenzied and poised its scripting is unpredictable and coiled, with its signature scenes making you feel as if you’re sinking deeper and deeper into madness and its centerpiece fiend is a wild man-child brute who’s uniquely off his rocker, as prone to shriek and cower like a frightened adolescent (or a cornered, wounded animal) as he is to roar and rampage. Yet no classic has also spawned as many misguided sequels as Tobe Hooper’s 1974 nightmare, whose grindhouse legacy is as unimpeachable and enduring as its progeny’s reputations are–with one stark, glorious exception–deservedly awful.
#Texas chain saw massacre 2003 vs 2013 movie
No horror movie is greater than The Texas Chainsaw Massacre, pictured here. Things go very, very badly, and while Sally survives, so too does Leatherface, who in a peerless final shot is left swinging his buzzsaw in the sunlight, a figure of uncontrollable, eternal, primal rage. Partain) and their three friends, whose trip to check out the desecrated grave of Sally and Franklin’s relative leads them into the clutches of a clan of demented lunatics which include Leatherface (Gunnar Hansen), an unhinged giant in a dead skin mask who has a fondness for chainsaw murder and mutilation.
#Texas chain saw massacre 2003 vs 2013 serial
Loosely inspired by real-life serial killer Ed Gein, it recounts the grisly ordeal of Sally Hardesty (Marilyn Burns), her wheelchair-bound brother Franklin (Paul A. Hooper’s sophomore directorial outing is an unforgettably inventive work of malevolence, combining grubby, sunburnt 16mm visuals, ragged and spiraling staging and editing, and a mean streak a mile wide to create a borderline-hallucinatory descent into mayhem. To comprehend the folly of these follow-ups, it’s vital to first revisit the source. How 'The Texas Chain Saw Massacre' Got Made.
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